Marcus Karl Maroney studied composition and horn at The University of Texas at Austin (B.M.) and Yale School of Music (M.M., D.M.A.). His principal composition teachers were Joseph Schwantner, Ned Rorem, Joan Tower, and Dan Welcher. In 1999, he received a fellowship to the Tanglewood Music Center, the First Hearing award from the Chicago Symphony Orchestra, and an ASCAP/Morton Gould Young Composer’s award. Other awards and fellowships followed, including: a Charles Ives Scholarship from The American Academy of Arts and Letters, the Music 2000 Prize from the University of Cincinnati College-Conservatory of Music, further awards from ASCAP, two residencies at the Copland House, and consecutive Woods Chandler Memorial awards from Yale University.

Commissions have come from such organizations and individuals as eighth blackbird, the Orchestra of St. Luke’s, The Norfolk Chamber Music Festival, Timothy McAllister, the Moores School Percussion Ensemble, the Texas Music Festival, the Deer Valley Music Festival, and the Juventas! New Music Ensemble. His works have been recorded on the Albany, Centaur and Blue Griffin labels, and are published by TrevCo, Seconda Prattica and Ever-Fixed Music.

Mr. Maroney served on the faculty of the Yale School of Music from 2002-2004. He is currently Associate Professor of Music at the University of Houston’s Moores School of Music. His academic pursuits include research on the music and life of Swiss composer Frank Martin, for which he was awarded a grant from the University of Houston for residency at the Paul Sacher Stiftung in Basel. Mr. Maroney is on the Artistic Board of Musiqa, Houston’s composer-led new music presenting group.