The first in a triptych of works honoring women musicians of the Holocaust, Bruce Adolphe’s “I Too Bleed, and Hope for Beauty” explores the incredible story of Alma Rosé – credited with saving the lives of 48 women through her leadership of the women’s orchestra of Auschwitz. Discover how even in the most unimaginable circumstances, music has an enduring power to heal and to save.
History isn’t always so rosy, but it tends to bend toward hope…The Holocaust is no exception to this record, and it provided the backdrop for ROCO’s upcoming concert Hope for Beauty.
Continuing ROCO’s Season 15 Unchambered series on Saturday, we next hand the reins over to concertmaster Scott St. John – for a program of “Morsels” revisiting his roots as a chamber musician, inspired by a very special summer in Vermont. In this ROCOInsider, discover the works for string quartet you’ll hear, and learn how his time at the Marlboro Music Festival spurred his course as a young musician, leading to a busy performing and teaching career!
Kicking off this season’s Unchambered series, Flair will feature an instrument familiar to many – the clarinet – but have you ever heard what it can really do? Learn from ROCO clarinetists Nathan Williams and Maiko Sasaki how they put together a program of duos which led them on an expedition of discovering new works, and revisiting old pieces they learned as young clarinetists, to narrate their stories of coming-of-age through music.
Following the orchestra’s opening concert, “Time for Hope,” more than 260 guests moseyed to the country club ballroom where members of the orchestra were seated at each table, making for musically-inspired dinner conversation.
What do colors sound like? Ahead of this weekend’s world premiere of Lisa Bielawa’s song cycle Centuries in the Hours, we had a chance to sit down with mezzo-soprano Laurie Rubin – who has been blind since birth – to explore how she sees the world, yielding a unique, and deeper way, of musical collaboration.
In an age when advocacy has revolutionized female empowerment, ROCO travels back in time to give voice to the voiceless — generations of women who lived largely unheard and largely unknown.
This weekend we are so thrilled to welcome back one of the most beloved guests to ROCO’s podium – conductor Mei-Ann Chen, now as ROCO’s first-ever Artistic Partner! Though audiences may know her from previous appearances, there are a few fun tidbits we discovered – such as the unexpected career she might have if she weren’t a musician. Read on to learn more about Mei-Ann!
The first world premiere commission of ROCO’s 15th season “Coming Of Age,” takes audiences back in time for a poignant glimpse into the everyday lives of five American women, giving voice to their unique yet unknown experiences for the first time – in Lisa Bielawa’s Centuries in the Hours, written for mezzo-soprano Laurie Rubin.
To celebrate their milestone fifteenth season, ROCO will present a record-breaking 21 new commissions, bringing their total to a whopping 100 distinct premieres since their formation in 2005. Throughout the season, 15 of these new works — comprising the project FIFteen: Fanfares, Interludes, and Finales, organized by Mark Buller — will be sprinkled among each series. This brand-new body of work will serve as a “tasting menu” of sorts by allowing the audience brief glimpse into a wide array of diverse composers and their music. The featured composers are as follows:
The month of September heralds the start of a new arts season, speckled with fresh interpretations of older shows as well as never before seen or heard new works.
Every commission has a unique story, but they all have a similar path. ROCO commissions an average of 10 new works each season and will have performed the world premiere of nearly 80 commissioned new works by the end of the current season.