We continue our exploration of Messiaen’s “Quartet for the End of Time” in a conversation with ROCO clarinetist Maiko Sasaki (click here for the first part). Q: Any specific narratives that help you perform your part with more emotional thrust? Maiko Sasaki: This piece was written for a unique combination of instruments: Clarinet, violin, cello and piano. That’s because the…
A haunting experience: Messiaen’s “Quartet for the End of Time” needs to be experienced live
Messiaen’s “Quartet for the End of Time” isn’t casual listening. It’s a work that changes people’s relationships to art’s ability to change paradigms through emotional experiences. In fact, an emotional experience is why ROCO clarinetist Maiko Sasaki suggested that the ensemble include a performance of the seminal work in its Unchambered Series. Q: Messiaen’s quartet is…
Drama and momentum build through beauty and strangeness: Shakuhachi war or nice conversation?
We continue our chat with American composer James Matheson ahead of the premiere of his Concerto for Two Shakuhachi “The Age of Air.” The work marks the River Oaks Chamber Orchestra’s 50th world premiere, a joint commission with Kyo-Shin-An Arts. Q: Tell us a bit about the melodies and harmonies? James Matheson: For me, the craft of composing always…
Air for granted no more: East meets West in 50th world premiere that will take your breath away
Programming a concert is very personal for the River Oaks Chamber Orchestra, and so is the emphasis on commissioning new works. To celebrate ROCO’s relationship with the Asia Society Texas Center, founder, artistic director and principal oboist Alecia Lawyer engaged Kyo-Shin-An Arts — an organization that’s dedicated to the integration of Japanese classical instruments in Western classical music…
Chinese food, Kahlua and skull bread: This is Dia de los Muertos done right
Five organizations. Five world premieres. These two fragments summarize what ROCO’s “Musical and Literary Ofrenda” on Oct. 27 is all about. Presented at Lawndale Art Center as part of the museum’s Dia de Los Muertos celebration that includes a retablo art exhibition, workshops and interactive programs, “Musical and Literary Ofrenda” includes musical offerings by ROCO…
Anton Miller plucks, strums, whistles and bangs — while playing the fiddle
Parse through ROCO violinist Anton Miller’s bio and immediately you get a sense, as in many of the ensemble’s musicians, that you’re dealing with quite an accomplished chap. But, as in all ROCO players, his accomplishments are only a sliver of what makes Anton special. The rest is his charisma, his ability to connect with just about…
Coffee before trumpet? George chases a caffeine high for good measure
How well do you know George Chase, ROCO’s witty, funny gent who happens to play the trumpet. Ahead of ROCO’s Brass Quintet inaugural concert at MATCH on Friday, Oct. 9, which was featured in a Houston Chronicle preview by classical music writer Colin Eatock, we sat down with George to get to know him a bit better.…
10 reasons to love ROCO from violinist Pasha Sabouri
River Oaks Chamber Orchestra violinist Pasha Sabouri recently posted on Facebook something that illustrates how special our musicians are. Moreover, his words reveal the care taken in choosing ROCO musicians who know how to connect audiences to the music through their own artistry. 10 reasons I love playing in River Oaks Chamber Orchestra: 1. Amazing colleagues…
Pop into an adventure that really grooves with Rick Robinson
For ROCO’s 11th season opening program, the musical powers that be chose composer and bassist Rick Robinson for the orchestra’s 44th commission. The work, titled “Gitcha Groove On!” is a jazz-infused classical commission for the full orchestra plus trapset, the product of ROCO winning the New Music Box and ASCAP “Music Alive” Partnership award. Read…
Cut time: ROCO heads to the bars for toe-tapping tunes
If Mozart and Beethoven had lived to see the advent of the trap set, would their music be any different? We sure hope not, but that doesn’t mean we can’t have fun with the masters in venues that are otherwise designated for more informal gatherings — like the Continental Club in Midtown. A Mozart symphony with a…
Baton or no baton? Andrés Cárdenes explains plus other musings
Don’t know the gent who’s behind the baton for our “Gitcha Groove On!” performances on Sept. 26-27? Let’s fix that rather quickly, shall we? Yes, you can read all about Andrés Cárdenes‘ musical adventures on his website. You’ll realize he’s quite the accomplished musician, leading notable ensembles such as the Munich Radio Orchestra, Dallas Symphony, Detroit…
Google honors ROCO with social impact donation
Through a partnership with the C. T. Bauer College of Business at the University of Houston, ROCO will receive a $5,000 donation from Google thanks to a coterie of enterprising students who were awarded third-place in the Google Online Marketing Challenge 2015. Graduate students R. Jason Griffin, Aigul Aubakirova, Neil Gustafson and Matt Avery competed in Google’s AdWords…
