ROCO’s 16th season features illuminating musical collaborations exploring global soundscapes, presenting ten commissions, in three series of concerts showcasing the ensemble’s flexible model. New works include a nature-inspired triptych by Alyssa Morris, a concerto for bandoneon (a Latin-American bellowed instrument) by soloist Richard Scofano, a vocal work by Reena Esmail based on Chickasaw poetry, a…
A game player has three responsibilities: Gobble up the dots. Travel through the maze. Avoid the ghosts…Although the arcade game, released in 1980, wasn’t the inspiration for Chicago-based composer James Stephenson when creating “Chase Sequence,” it’s certainly a fitting analogy, particularly when Houston’s River Oaks Chamber Orchestra will perform the piece Saturday in a concert that closes its “Unchambered” series in a season titled “Games People Play.”
COMPOSER JAMES STEPHENSON wrote “Chase Sequence” for the United States Marine Band’s brass quintet about eight years ago. He had the idea that the piece would start out with an energetic start from a trumpet, with the other instruments following each other quickly through the music. River Oaks Chamber Orchestra’s brass quintet presents the piece to cap off its Unchambered series. With “Chase Sequence,” they’re highlighting a contemporary work, as well as classical jazz pieces.
The numbers are in: 76 world premieres (33 for the full chamber orchestra and 43 for its flexible chamber ensembles), 36 composers commissioned—these are astounding numbers from the Houston-based River Oaks Chamber Orchestra (ROCO), now in its perpetually forward-looking 13th season.