Dive into Russian culture and let the music envelop you. Jason Adams plays the trumpet in the first ROCO quintet program of the season. Jason gives more detail on Böhme and the inspiration and meaning behind this ROCO performance. “From Russia with Valves” takes place Oct. 14, at MATCH | Midtown Arts and Theater Center…
Two musical minds under one roof: Making beautiful music together
What is it like to have two musical minds under one roof? While one might expect strong competition, Cecilia and Richard Belcher complement each other wonderfully, and relish performances they play together. We caught up with spouses, who are the talented cellist and violinist in our upcoming Unchambered: Fantasy, Love and Sex(tet) performance on Oct. 9…
Do you have a special move? Pulitzer Prize winning composer dances around artistic processes
When is a work of art complete? We explore this and more in our casual interview chat with Pulitzer Prize wining composer Jennifer Higdon, whose work “Dance Card” is on the program of our “Dance Like No One’s Watching” concerts on Sept. 23-24 at Miller Outdoor Theatre and The Church of Saint John the Divine,…
From cellular to paper: Composer Reena Esmail on creativity and artful exploration
It’s nice to have friends that think highly of you. In the case of ROCO, rather than giving material presents, sometimes friends give each other musical compositions. Founder, artistic director and principal oboe Alecia Lawyer has been working alongside associate director Suzanne LeFevre for such a longtime, they decided to commission a duo from composer…
Announcing ROCO’s 2016-17 Season, “Go Boldly!”
The River Oaks Chamber Orchestra (ROCO) announces its 2016-2017 season, themed “Go Boldly,” with programming that expands the professional chamber orchestra’s footprint, new commissioned works from energetic composers and state-of-the-art technology to further connect audiences with performing artists. “ROCO’s 12th season builds upon the concept of stepping into an unknown space and wildcatting,” says Alecia Lawyer,…
Nonet and friends: Putting a program together with nine ROCO characters
In programming ROCO’s Unchambered concert “Dressed to the Nines” on April 24, associate artistic director Suzanne LeFevre started with the work that called for the largest instrumentation. What to do next? Program works that show personalities through more intimately sized chamber music scores. Q: You don’t see Josef Rheinberger’s Nonet in A Major in many…
Big trumpets, tall musicians and jazz improv: Thomas Hultén prepares for ROCO world premiere
Oh, brass players! That’s the most appropriate way to begin this informal chat with River Oaks Chamber Orchestra principal trombonist Thomas Hultén, who’s in the midst of fine tuning his skills for the world premiere of Dorothy Gates‘ Trombone Concerto on April 9 as part of the “Sliding Into Home” program at the Church of St.…
Flies and sour cream? Victor Yampolsky is one conductor with the most curious music analogies
It takes a special personality to be a conductor, to stand in front of a coterie of passionate (often opinionated), well-trained, intelligent musicians and tastemakers to lead them in performance. Maestro Victor Yampolsky is that very special personality, his instructions quirky and his music-making precise. Which is what rendered this friendly conversation with him that much…
Who’s Dag Hammarskjold? ROCO’s 53rd world premiere has his name all over it
A composer who requires members of an ensemble to stomp their feet march-style while playing probably has interesting stories to tell. Meet tunesmith Dorothy Gates, whose Trombone Concerto was commissioned by the River Oaks Chamber Orchestra at the suggestion of principal trombonist Thomas Hultén. The work, ROCO’s 53rd world premiere commission, is based on the…
Piano wars? A musical throwdown has one musician all over the keys
One musician. Two pianos. A musical showdown between past and present. Although this sounds like the beginning of an artistic boxing match, the setup for “Piano vs. Piano” on Sunday at the MATCH with keyboard virtuoso Christopher McKiggan at the helm isn’t meant to be a competition to the tuneful death. Instead, it’s an opportunity…
American Stradivarius sings flowing and whimsical musical poetry in Matchmaking
You’ll never forget the first time you hear Ralph Vaughan Williams’ “The Lark Ascending,” a work that’s pure musical poetry — literally (pun intended). The English composer was able to find just the right notes to portray the gracefulness of the skylark, so beautifully captured in the text of English poet George Meredith. This pastoral romance…
Pencil and manuscript: Marcus Maroney on going conductorless, composing fears and first instincts
Does creativity respond to rules and do rules help the creative process? This puzzling conundrum and more are revealed in this insightful conversation with composer Marcus Maroney, whose Concerto for Orchestra was commissioned by the River Oaks Chamber Orchestra to be premiered at the “Matchmaking” conductorless program on Saturday, February 13, at The Church of St. John…
