ROCO recently announced its 2021-22 season, which marks year number 17 for the organization to offer the most fun an audience can have with chamber and classical music. Centering around the theme of “Musical Threads,” the programming offers a well-rounded lineup of exciting world premieres, collaborations and a continued exploration into Houston’s unique spaces.
Since 2005, ROCO has been committed to connecting our Houston community together through the joys of music. We have brought into the world over 110 new commissions from living composers of diverse backgrounds, shared performances in some of Houston’s most unique spaces, and with ROCO on the Go—continued to innovate even during a period of social distancing. Join us in our 17th season as we go even further in stitching the diverse parts of Houston together, weaving new musical tales which unite our community and beyond, in Season 2021-2022: Musical Threads!
ROCO’s 16th season features illuminating musical collaborations exploring global soundscapes, presenting ten commissions, in three series of concerts showcasing the ensemble’s flexible model. New works include a nature-inspired triptych by Alyssa Morris, a concerto for bandoneon (a Latin-American bellowed instrument) by soloist Richard Scofano, a vocal work by Reena Esmail based on Chickasaw poetry, a…
Continuing ROCO’s Season 15 Unchambered series on Saturday, we next hand the reins over to concertmaster Scott St. John – for a program of “Morsels” revisiting his roots as a chamber musician, inspired by a very special summer in Vermont. In this ROCOInsider, discover the works for string quartet you’ll hear, and learn how his time at the Marlboro Music Festival spurred his course as a young musician, leading to a busy performing and teaching career!
We are excited to bring you another installment of ROCOInsider, as part of this weekend’s events focusing on women in the arts: Friday’s Concert & Conversation and Saturday’s ROCO In Concert: Queen of Hearts!
In Kevin Lau’s work, the smallest details are examined with microscopic precision. The Canadian pianist delicately shapes each musical phrase, each moment of harmonic color, while dedicating equal attention to establishing a cohesive sound that ties the piece into a whole.
A Houston punk rock legend front and center at a classical concert, a virtuoso concertmaster, a stellar bass-baritone singing nursery rhymes and tombstone epitaphs, and three world premieres. Throw in a couple of Dvořák’s Legends and the rarely heard Wood Notes by William Grant Still, and we have a strange brew of a program that surprised and engaged.
Like a ringmaster leads a circus, conductors direct classical music concerts, presenting various acts or compositions while serving as an intermediary between the audience and the performers.
But the show must go on, with or without, and River Oaks Chamber Orchestra is here to prove it’s possible to have a concert without a conductor, with the return of its annual conductorless concert this weekend at the Church of St. John the Divine.
The numbers are in: 76 world premieres (33 for the full chamber orchestra and 43 for its flexible chamber ensembles), 36 composers commissioned—these are astounding numbers from the Houston-based River Oaks Chamber Orchestra (ROCO), now in its perpetually forward-looking 13th season.